How to use this resource

Navigation, or finding your way around

We are using a blogging technology here in an unusual method. The usual practice is for keen followers of the blog to be interested in the latest additions; we are asking you to start from the beginning and work your way through, giving each artist equal respect of attention.

We have uploaded each submission in order of entry and so there are more than 70 artists figured here. Blogspot (the system you are on right now) will default to showing you the most recent entries. For the current submission there is probably more to read so look for "READ MORE"




 At the bottom of the page, look for "OLDER POSTS","NEWER POSTS" to run through the chronological sequence; and,


"MORE POSTS" which will take you to the previous 6 or 7 submissions.




Another wrinkle is that last month's submissions are hidden further away. At the top look for the ☰ and click through to find "Archive" 



Use the down arrow to look at March 2023. Being a "helpful" system Blogspot will probably always try to focus your attention onto the latest thing in April 2023. We have our own views about "helpful" systems...

Finding a resource, using search

You will find a magnifying glass search button at the top right 🔍. Click on it and search for artist's name, or specific word e.g. butoh or dance

Commenting, or engaging with other artists

Being on a learning curve, we elected to use a blogging site for the rapid updating and inclusion of each new submission; enabling your interactions has proved to be problematic for many. It's tempting to move over to email but this will exclude others from the shared resource, so
you want to ask the artist a question 




Click here to find a drop-down menu









So Aldo is logged on and writing this post for you, Blogspot knows that he has a gmail account. If you have a gmail account and are logged on with it you will be offered this option. Select it if you can.
In this case there is a tickbox which will mean you'll get an email if there's any response on your comment.

---------------------------------------

Next option is the Name/URL route






We might type this -- be sure to use your own data, if you have a website use that. Do not forget the 'https:' detail at the front, and then press CONTINUE

-------------------------------------------

Anonymous commentary has to be your last option : the recipient doesn't have any context for you. As a courtesy, introduce yourself using your full name "Hi, I'm ... " or sign-off, again with your full name. Just please do not go there if you can make the others work. 

Have you still got problems with comments?

  • Try another browser -- for better or worse, we use Google Chrome
  • If your error message complains about "3rd party cookies" you may find in your browser settings, words like 'Privacy and Security' and from there to a section on 'Cookies' and find if there is a heading for 'Sites that can always use cookies' -- allow Blogspot.com to do this and to set 3rd party cookies.

Have we forgotten anything? 

Email us, don't raise a comment , winks!

Comments

Post a Comment

comments are now disabled for this dialogue

Popular posts from this blog

Demeter Dykes

Image
As a mature woman my work is the result of frustrations in relation to others’ expectations and misconceptions of me. Taking up space, unapologetically, has allowed a performative version of myself to emerge. I am interested in this commitment to performativity by mature women on social media sites. My images are made quickly and with materials and props that are to hand. The resulting photographs include filters and digitally drawn elements that build a persona, and my working process can be seen as a playground for the exploration of potential irreverent storytelling, both real and imagined. The swirling farrago of sensations that is menopause slaps you in the face, hard, and lets you know, unequivocally, that you are on a one-way street with no turning circle at the end of it. So, having less life ahead of me than there is behind compels my heels to dig into the earth so that the dizzying swiftness with which I am travelling along this one-way street, towards the exit from which th
Read more

Esther Sabetpour

Image
I am a London based photographer, artist and storyteller of Scotish - Iranian parentage. I explore transformation, through intuative self portraiture and embodied performance. I work with with notions of identity using environments which reflect my phycological, physical or emotional landscape. Using photo montage, moving image and performance in my self portrait process, which began in 1998. As a photographer and burns survivor, my self portrait process boosts my welbeing emotionally and physically. This liberating spiritual process enables me to embody and interpret potent feelings and themes I feel trapped, which I cannot seem to be express through words. Through the repetion (and recordings) of often slight, slow, intuitive movements, I begin to experince another relationship to my self and stories. The process enables me to tune in to my feelings and make contact with layers of trauma within my body. In 2017 I began a dance based embodied movement practice. This practice enabled m
Read more

Mila Romans

Image
  As a Ukrainian-British multidisciplinary artist, designer, and photographer, I am keenly interested in art therapy, somatic and transdisciplinary approaches, and neuroaesthetics. I am delighted to submit my work for consideration, as exploring the intersection of performance to the camera and photographic self-portraiture is close to my heart. Throughout my 25 years of artistic practice, I have used photographs of my body and hand gestures as photo references and participated in performances to communicate my inner feelings and reflect on the topic. I had been involved in Contact improvisation and Five Rhythms groups and workshops and ran authentic movement classes. These experiences let me explore the link between body awareness and psychological experiences and explore the human condition, liminality, identity and perception. After experiencing traumatic events, this exploration became even more relevant to me as it led to physical symptoms. During the war in my homeland, Ukraine,
Read more