Thomas Jenkins




My work explores what can be defined as a photograph in the modern day. Methods stem from an interest in contemporary and historical photography, painting and sculpture - resulting in nonrepresentational photographs that are created through performance based processes and installations.
Due to the scale of the work the body plays an important role in its creating, installation and view - all components exist in a performative space where aspect is an autonomous recording of the artist and intent.

Comments

  1. Perhaps, I am being dense here -- how does presenting this series in montage disturb its representational elements into non-representationality

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    Replies
    1. Perhaps it's more that the series suggests a narrative, rather than simply pictures of a man rolling/unrolling prints?

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