As a Ukrainian-British multidisciplinary artist, designer, and photographer, I am keenly interested in art therapy, somatic and transdisciplinary approaches, and neuroaesthetics. I am delighted to submit my work for consideration, as exploring the intersection of performance to the camera and photographic self-portraiture is close to my heart. Throughout my 25 years of artistic practice, I have used photographs of my body and hand gestures as photo references and participated in performances to communicate my inner feelings and reflect on the topic. I had been involved in Contact improvisation and Five Rhythms groups and workshops and ran authentic movement classes. These experiences let me explore the link between body awareness and psychological experiences and explore the human condition, liminality, identity and perception. After experiencing traumatic events, this exploration became even more relevant to me as it led to physical symptoms. During the war in my homeland, Ukrai...
the post-processing step here is reminiscent of the results of slit-scan camera work and like that technique seems to move the stationary image into a time dependent space
ReplyDeleteI am intrigued at your observation that "a machine sees and understands me better than I did that time" and would like to know what gave rise to that thought? There must have been some aspect of that selfie that gave you a hitherto unseen revelation.
ReplyDeleteHello Fiona! I had a huge anxiety problem at the time, and a lot of creative assignments at university. And i was greatly relieved to find this tool in touchdesigner that basically explained what i should do and what problem to explore in my creative journey. it was a broad concept of noise that i still work with to this day. hope i interpreted your question correctly
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