Mark Carr


 this submission is from my performance/video work 'The Scream' 2021. It was/is a 40-45 minute visceral video/live performance that explored my own metal ill health through words, video projection and live action. The photographic projections and live performance were designed/made/created to only work in an integrated form.

Comments

  1. Do you still feel that this work is only served in the integral form of full-length live performance. Your camera has caught the eyes -- your eyes? -- in close attention to the lens?

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  2. In truth. Yes. The visceral nature of the live work takes it somewhere else. Even the full length video of the performance on YouTube does not capture the event properly. It was a one off. I couldn't persuade other venues of its merit. However, stills from the video do tell a different story, which may in itself be work pursuing.

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  3. I think that may be the point here. In general, the stills photo creates a crisis in the narrative of the performance which can transfer to a crisis in the narrative of the viewer. I notice this personally when I recognise that though I have been busy 'selling' one view of an idea, my client taken off with another. Can the customer always be right? Grrrh!

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