Ally Zlatar

As an artist, I am constantly exploring the complex relationship between the self and the other. In this piece (and series), titled "The World, The Flesh and The Breath," I delve into the deeply personal and often painful experience of body dysmorphia. Through these works, I seek to examine the ways in which we stretch and distort our bodies in order to fit into society's narrow definition of beauty.


Drawing on the theory of abjection, I explore the ways in which we reject and disfigure our own bodies in order to conform to societal expectations. Through the use of self-portraiture, I depict the emotional and physical struggle of living with body dysmorphia. Each painting represents a unique perspective on the self and the other, inviting the viewer to consider their own relationship to their body and the world around them.

At the heart of this work is a commitment to vulnerability and authenticity. Through my own personal experiences, I hope to open up a dialogue about the ways in which we relate to our bodies and each other. By confronting the discomfort and shame associated with body dysmorphia, I hope to inspire others to embrace their own imperfections and find beauty in the diversity of human experience.

Comments

  1. AldobrantiApril 14, 2023 at 8:37 AM

    Your tie-in with Julia Kristeva's work on Abjection resonates with AH 's shock-value use of the grotesque:
    https://foscofornio.blogspot.com/2023/04/from-ah.html
    I think this conjunction makes an interesting crossover between the two pieces.

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