Chris Freeman


 I work with many performers, be they artists, dancers or improv musicians, who all have their individual styles. As I work on an ongoing basis with each of the performers, our relationship and collaborative approach have developed, resulting in the development of the performance and the resulting images.


The image I have submitted is of Petra Haller, performing in a Morph suit as part of Gwen Kassenaar's improv painting performance at the Bloomsberry Arts Festival. During rehearsals, she used the shine from my balding head to give her a sense of where she was on the stage!

Comments

  1. Adele Giles Art ResearchApril 22, 2023 at 3:30 PM

    A great image. I suspect this performance was deeply moving. Do you have a video link of the performance to see more? I love the idea of a white morph suit, it stripes away all sense of identity. I am also curious to know just how bright the light shines from your bald head haha

    ReplyDelete
  2. fionaMay 21, 2023 at 3:52 PM

    I like your account of how your work and that of your collaborators develop and evolve over time. A sense of wheels all rolling along together, in and out of each others' paths.
    I guess that is also the idea behind this project that we are all working on together.

    ReplyDelete
  3. Alex BillinghamMay 22, 2023 at 12:04 PM

    I'm loving all the potential tension within the image. Its a fascinating caption of a performance.

    ReplyDelete

Post a Comment

comments are now disabled for this dialogue

Popular posts from this blog

Demeter Dykes

Image
As a mature woman my work is the result of frustrations in relation to others’ expectations and misconceptions of me. Taking up space, unapologetically, has allowed a performative version of myself to emerge. I am interested in this commitment to performativity by mature women on social media sites. My images are made quickly and with materials and props that are to hand. The resulting photographs include filters and digitally drawn elements that build a persona, and my working process can be seen as a playground for the exploration of potential irreverent storytelling, both real and imagined. The swirling farrago of sensations that is menopause slaps you in the face, hard, and lets you know, unequivocally, that you are on a one-way street with no turning circle at the end of it. So, having less life ahead of me than there is behind compels my heels to dig into the earth so that the dizzying swiftness with which I am travelling along this one-way street, towards the exit from which th
Read more

Rachael Rutherford

Image
The interests within my practice at large lie with portrayals of the body and how we heal through and with them. This has often been framed within the female body and it’s mis/treatment within healthcare settings.Using textiles and sculptural techniques, the nature of performance and self-portrayal comes through in the form of costume creation. The costume allows for sculptural elements to overtake the human form and in the context of my own practice, takes the internal and visualises it on the external. Thinking through the work as a visual form and way of healing, textile coverings allow the self-portrayal to embody something beyond the human form, a monstrous re-imagining of the self. For me, the performative aspect comes through within the use of video as documentation of the wearing of the costume. The creatures created exist within these videos as a way to create a barrier between the self and the audience, while creating an intimacy between the costume and its wearer that gener
Read more

Esther Sabetpour

Image
I am a London based photographer, artist and storyteller of Scotish - Iranian parentage. I explore transformation, through intuative self portraiture and embodied performance. I work with with notions of identity using environments which reflect my phycological, physical or emotional landscape. Using photo montage, moving image and performance in my self portrait process, which began in 1998. As a photographer and burns survivor, my self portrait process boosts my welbeing emotionally and physically. This liberating spiritual process enables me to embody and interpret potent feelings and themes I feel trapped, which I cannot seem to be express through words. Through the repetion (and recordings) of often slight, slow, intuitive movements, I begin to experince another relationship to my self and stories. The process enables me to tune in to my feelings and make contact with layers of trauma within my body. In 2017 I began a dance based embodied movement practice. This practice enabled m
Read more